Among the tightly-packed displays in the cavernous main exhibition hall of the Venice Biennale’s Arsenale, Paperwork and the Will of Capital: An Account of Flora As Witness by US artist Taryn Simon stands out as one of the most thought-provoking and carefully-crafted artworks. Simon’s installation explores the overlooked role of flowers as a form of soft diplomacy. The artist at first appears to be presenting them as … Continue reading Venice Biennale Highlight #2: Paperwork, and the Will of Capital
The Saatchi Gallery in London seeks to build on its successful exhibitions of recent Russian and Chinese art – including 2008’s The Revolution Continues: New Chinese Art and 2012’s Breaking the Ice: Moscow Art, 1960–80s – with a show that combines the two. While the title of Post Pop: East Meets West suggests the two sides of the former iron curtain joining in a shared … Continue reading Exhibition of the Month: Post Pop: East Meets West
Sean Snyder is a contemporary American artist living and working in Berlin, Kiev and Tokyo. Acclaimed for his unique ‘research-based’ art, Snyder works predominantly in film and video to explore the role of images in the global circulation of (dis)information. This fascination has repeatedly led him to engage with the politics of images produced during the Cold War. Using montages and cut ups of content … Continue reading Featured Artist: Sean Snyder
Is It Propaganda? Or Is It Political Art? is the latest exhibition to open at the Charles Krause/Reporting Fine Art Gallery in Washington, DC. Assembled from the personal collection of the veteran PBS and Washington Post foreign correspondent, the exhibition features political and poster art from Cold War USSR, Cuba, Ukraine, China, Poland, Germany and the US. Krause became a collector of art during his … Continue reading Exhibition of the Month: Is It Propaganda? Or Is It Political Art?
In 1952 the Institute of Contemporary Arts in London announced an international sculpture competition to create a monument to The Unknown Political Prisoner. Intended ‘to pay tribute to those individuals who, in many countries and in diverse political situations, had dared to offer their liberty and their lives for the cause of human freedom’, the competition was seen by the Soviet Union as provocative as … Continue reading Monument to The Unknown Political Prisoner